https://arrcsite.org ARRC: Art Residency Research Collective Wed, 27 Apr 2022 23:50:55 +0000 https://arrcsite.org en https://arrcsite.org/Site-Customizations Wed, 27 Apr 2022 23:50:55 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/Site-Customizations Site Customizations in this template: “Show an Image on Hover”https://support.cargo.site/Show-an-Image-on-Hover (In use on this page) More Site Customizations... https://arrcsite.org/Front-page-1 Wed, 13 Apr 2022 15:34:33 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/Front-page-1 We are a band of gho<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/c4309977bce7628279519b578df0b2dff05adc16dfa0b3331a271ada92510a2a/1.png" data-mid="146043577" border="0" src="https://freight.cargo.site/w/1000/i/c4309977bce7628279519b578df0b2dff05adc16dfa0b3331a271ada92510a2a/1.png" />st<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/8b1702e737d86cd27a9684e8cce72f6722041b878c4b515f077ee2ab6cd68355/1.2.png" data-mid="146053211" border="0" src="https://freight.cargo.site/w/1000/i/8b1702e737d86cd27a9684e8cce72f6722041b878c4b515f077ee2ab6cd68355/1.2.png" />ly<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/88c36203c38332706756e653bb91e36a0fe6cdb56c47c319a6fc56c468f6599d/1.1.png" data-mid="146043576" border="0" src="https://freight.cargo.site/w/1000/i/88c36203c38332706756e653bb91e36a0fe6cdb56c47c319a6fc56c468f6599d/1.1.png" />&nbsp;researchers, artists, curators and writers joined together in the st<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/b0db961a58879683611c570635cf479e96137bf13f4a27ebcc73121c54a3a83c/2.1.png" data-mid="146044990" border="0" src="https://freight.cargo.site/w/1000/i/b0db961a58879683611c570635cf479e96137bf13f4a27ebcc73121c54a3a83c/2.1.png" />u<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/601b5879cff801ca5d6378e371cb7a155fd34db3c5abb307f795c5b2a562674d/2.2.png" data-mid="146044991" border="0" src="https://freight.cargo.site/w/1000/i/601b5879cff801ca5d6378e371cb7a155fd34db3c5abb307f795c5b2a562674d/2.2.png" />dy<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/4b0382339908c4458fa39d0e77ef4582496fed449c9aa514796acf7f9f641bdb/2.png" data-mid="146044992" border="0" src="https://freight.cargo.site/w/1000/i/4b0382339908c4458fa39d0e77ef4582496fed449c9aa514796acf7f9f641bdb/2.png" />&nbsp;around art residencies’ shifting practices. In 2020, we formed a live and unfolding hy<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/4a7f282ca9cc224db03e9823ccd2b02a83d4337ffd6d705a7596cfe8b2c7eb2c/firstagain.png" data-mid="146175333" border="0" src="https://freight.cargo.site/w/1000/i/4a7f282ca9cc224db03e9823ccd2b02a83d4337ffd6d705a7596cfe8b2c7eb2c/firstagain.png" />br<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/49118f7323138d6c62889497f1bff2ff8158058a03412026c04b30c58ec9f46d/second.png" data-mid="146175312" border="0" src="https://freight.cargo.site/w/1000/i/49118f7323138d6c62889497f1bff2ff8158058a03412026c04b30c58ec9f46d/second.png" />id<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/90e77110720efa9e01600cb298662535bbb7d0e0b5321f0951a4bb3877a9b3be/third.png" data-mid="146175313" border="0" src="https://freight.cargo.site/w/1000/i/90e77110720efa9e01600cb298662535bbb7d0e0b5321f0951a4bb3877a9b3be/third.png" />&nbsp; residency, a space for gift exchange, response-ability, reflection, and care. We collectively explore: the meaning of presenc<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/f9d6556fd2075bcc994040f8124f14abbd342f8e666d971e261d70295424b49f/4.png" data-mid="146045088" border="0" src="https://freight.cargo.site/w/1000/i/f9d6556fd2075bcc994040f8124f14abbd342f8e666d971e261d70295424b49f/4.png" />iality<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/bae619c94239fa3863da78160afde8cc56770987aa0af970c08763ee108c639d/4.1.png" data-mid="146045087" border="0" src="https://freight.cargo.site/w/1000/i/bae619c94239fa3863da78160afde8cc56770987aa0af970c08763ee108c639d/4.1.png" />, or the condition of being present, and its others–&nbsp;chr<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/59985dbd53aff9e519691b9db1cd232e11215653c57c53fa1ed1297e528f0fc4/5.png" data-mid="146045210" border="0" src="https://freight.cargo.site/w/1000/i/59985dbd53aff9e519691b9db1cd232e11215653c57c53fa1ed1297e528f0fc4/5.png" />onodiver<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/748fc11dd45098e8abe803100f64601c7539fd817325a56b874dbce25b13f2a1/erasedsection.png" data-mid="146170533" border="0" src="https://freight.cargo.site/w/1000/i/748fc11dd45098e8abe803100f64601c7539fd817325a56b874dbce25b13f2a1/erasedsection.png" />sity<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/dc1d0bd7e18b75c1171dfca601219453c4138515be9c2c1cb16093ff887f9b00/5.3.png" data-mid="146045209" border="0" src="https://freight.cargo.site/w/1000/i/dc1d0bd7e18b75c1171dfca601219453c4138515be9c2c1cb16093ff887f9b00/5.3.png" />, thick space, residential learning, radical hospitality<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/ca3ade4c670a3bea3ff6bd3e30ea598e1442da2550675e2e5aeced09ed65caa0/6.png" data-mid="146045242" border="0" src="https://freight.cargo.site/w/1000/i/ca3ade4c670a3bea3ff6bd3e30ea598e1442da2550675e2e5aeced09ed65caa0/6.png" />, nom<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/e4fd9b44719da3f397cb9af7d671eecff4a3d904db8b6fe109df1719e1732fdf/7.png" data-mid="146045386" border="0" src="https://freight.cargo.site/w/1000/i/e4fd9b44719da3f397cb9af7d671eecff4a3d904db8b6fe109df1719e1732fdf/7.png" />ado<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/b5b39554dd806946b9bdcc9404c6a22dd37613e7106403b447cfb2f24560aa97/7.1.png" data-mid="146045383" border="0" src="https://freight.cargo.site/w/1000/i/b5b39554dd806946b9bdcc9404c6a22dd37613e7106403b447cfb2f24560aa97/7.1.png" />logy<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/588e98a030baade0f65ccdf20793f19887af20f92e2e9ec5fc3ebaf1520289bc/7.2.png" data-mid="146045384" border="0" src="https://freight.cargo.site/w/1000/i/588e98a030baade0f65ccdf20793f19887af20f92e2e9ec5fc3ebaf1520289bc/7.2.png" />, cou<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/756f7c1e71aa3d6b5394f4165d4f762141911cf5eff3e88238c4614bcc83b24d/8.png" data-mid="146045508" border="0" src="https://freight.cargo.site/w/1000/i/756f7c1e71aa3d6b5394f4165d4f762141911cf5eff3e88238c4614bcc83b24d/8.png" />nter-<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/7597114c47a00132e97b6634f8d971b7ad63884b590199121f7625caac143e9e/8.1.png" data-mid="146045505" border="0" src="https://freight.cargo.site/w/1000/i/7597114c47a00132e97b6634f8d971b7ad63884b590199121f7625caac143e9e/8.1.png" />hist<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/d6b5a085d518ba01515781db0800dc18c18c141c6fd672eb02e44043b0802b7b/8.2.png" data-mid="146045506" border="0" src="https://freight.cargo.site/w/1000/i/d6b5a085d518ba01515781db0800dc18c18c141c6fd672eb02e44043b0802b7b/8.2.png" />ory(s)<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/726d3496b7643589a81a5eef808adcd8438c5b663f61c4d3aff70e7a87617238/8.3.png" data-mid="146045507" border="0" src="https://freight.cargo.site/w/1000/i/726d3496b7643589a81a5eef808adcd8438c5b663f61c4d3aff70e7a87617238/8.3.png" /> and the creative act as embedded in broader<img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/8c81cae6a5fc3fb26a2b4cc4547443db51a7ba12d34aabfc9ac02946aebb06a2/9.png" data-mid="146045534" border="0" src="https://freight.cargo.site/w/1000/i/8c81cae6a5fc3fb26a2b4cc4547443db51a7ba12d34aabfc9ac02946aebb06a2/9.png" /> ecologies. <img width="3131" height="2771" width_o="3131" height_o="2771" data-src="https://freight.cargo.site/t/original/i/47225f785f21286b48d82ae92ac4d4583e2bcd9ae986cc1b85ff883bee05d127/quote1erased.png" data-mid="146170534" border="0" src="https://freight.cargo.site/w/1000/i/47225f785f21286b48d82ae92ac4d4583e2bcd9ae986cc1b85ff883bee05d127/quote1erased.png" /> <img width="1074" height="686" width_o="1074" height_o="686" data-src="https://freight.cargo.site/t/original/i/986bdc129d396abb95454a05ea7615f756c7696e84bd76fa22e30716158d9ef9/Morag_Map.png" data-mid="145351799" border="0" alt="A map of Cove Park&rsquo;s position in Argyll and Bute" data-caption="A map of Cove Park’s position in Argyll and Bute" src="https://freight.cargo.site/w/1000/i/986bdc129d396abb95454a05ea7615f756c7696e84bd76fa22e30716158d9ef9/Morag_Map.png" /> <img width="2442" height="1420" width_o="2442" height_o="1420" data-src="https://freight.cargo.site/t/original/i/3740d9dcfe82651e388899d930e600e4443419df01c9b03917cb9856d0278dfc/Angela_Website_New_01.png" data-mid="146153960" border="0" alt="Notes for &lsquo;Configurations of Time&rsquo;, Sept 2021. Photo: Angela Serino" data-caption="Notes for ‘Configurations of Time’, Sept 2021. Photo: Angela Serino" src="https://freight.cargo.site/w/1000/i/3740d9dcfe82651e388899d930e600e4443419df01c9b03917cb9856d0278dfc/Angela_Website_New_01.png" /> <img width="1024" height="654" width_o="1024" height_o="654" data-src="https://freight.cargo.site/t/original/i/d54d733e6a775de6657ab27a0d510e763cb18dfc3dfb214c374327096b2fbda5/1.-Landscape-with-the-fall-of-Icarus.jpeg" data-mid="144182764" border="0" alt="Landscape with the Fall of Icarus by Pieter Bruegel the Elder (1558)" data-caption="Landscape with the Fall of Icarus by Pieter Bruegel the Elder (1558)" src="https://freight.cargo.site/w/1000/i/d54d733e6a775de6657ab27a0d510e763cb18dfc3dfb214c374327096b2fbda5/1.-Landscape-with-the-fall-of-Icarus.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/077d7cee775d47a9fe05588b6e3a4da0d46468997ffb25a62b3bbfd8e6758da0/06.IMG_2818.jpeg" data-mid="144182760" border="0" alt="Giuseppe Lana experimenting at the Art Centre during a studio-practice led by Regina Pilawuk Wilson. Durrmu Arts Aboriginal Corporation, Peppimenarti, Northern Territory, Australia. September 2019. Photo Miriam La Rosa" data-caption="Giuseppe Lana experimenting at the Art Centre during a studio-practice led by Regina Pilawuk Wilson. Durrmu Arts Aboriginal Corporation, Peppimenarti, Northern Territory, Australia. September 2019. Photo Miriam La Rosa" src="https://freight.cargo.site/w/1000/i/077d7cee775d47a9fe05588b6e3a4da0d46468997ffb25a62b3bbfd8e6758da0/06.IMG_2818.jpeg" /> <img width="1610" height="908" width_o="1610" height_o="908" data-src="https://freight.cargo.site/t/original/i/b3bf626cc41ce09ed0c632d27424637ce254733a924f15533e63878eb5f7c696/Screen-Shot-2022-04-13-at-11.07.12-AM.png" data-mid="139557721" border="0" src="https://freight.cargo.site/w/1000/i/b3bf626cc41ce09ed0c632d27424637ce254733a924f15533e63878eb5f7c696/Screen-Shot-2022-04-13-at-11.07.12-AM.png" /> <img width="1350" height="662" width_o="1350" height_o="662" data-src="https://freight.cargo.site/t/original/i/5b5551b223f67851bfbb55b78872128e00fd72ac035073839bd9bafcd98fabf9/Screen-Shot-2022-04-13-at-11.08.39-AM.png" data-mid="139557725" border="0" src="https://freight.cargo.site/w/1000/i/5b5551b223f67851bfbb55b78872128e00fd72ac035073839bd9bafcd98fabf9/Screen-Shot-2022-04-13-at-11.08.39-AM.png" /> <img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/c0cf60a51e720f8427db539db1300628308ba8869a83d5ef1055a4fb4326c434/Ang_Website_New_02_LauraWiedijk.jpg" data-mid="145930204" border="0" alt="Laura Wiedijk, &lsquo;Yield&rsquo;, 2016, video still. Courtesy: the artist." data-caption="Laura Wiedijk, ‘Yield’, 2016, video still. Courtesy: the artist." src="https://freight.cargo.site/w/1000/i/c0cf60a51e720f8427db539db1300628308ba8869a83d5ef1055a4fb4326c434/Ang_Website_New_02_LauraWiedijk.jpg" /> <img width="1528" height="1528" width_o="1528" height_o="1528" data-src="https://freight.cargo.site/t/original/i/b4fa45daed8a6785a6df1f6e304786bb7dca4d2f356de4d89001e4ff552a2931/Ang_Website_New_03_KatiaMater.jpeg" data-mid="145930205" border="0" alt="Katia Mater, &lsquo;Time is an Arrow, Error&rsquo; 2020, book. Courtesy: the artist." data-caption="Katia Mater, ‘Time is an Arrow, Error’ 2020, book. Courtesy: the artist." src="https://freight.cargo.site/w/1000/i/b4fa45daed8a6785a6df1f6e304786bb7dca4d2f356de4d89001e4ff552a2931/Ang_Website_New_03_KatiaMater.jpeg" /> <img width="1206" height="722" width_o="1206" height_o="722" data-src="https://freight.cargo.site/t/original/i/55d8823d8ee686bfc693deda10df7c70135ff0f1088dfa5b3678b336a56d3a6a/Screen-Shot-2022-06-13-at-8.01.03-PM.png" data-mid="145352413" border="0" src="https://freight.cargo.site/w/1000/i/55d8823d8ee686bfc693deda10df7c70135ff0f1088dfa5b3678b336a56d3a6a/Screen-Shot-2022-06-13-at-8.01.03-PM.png" /> <img width="1280" height="956" width_o="1280" height_o="956" data-src="https://freight.cargo.site/t/original/i/def88582d1e1e15d9a0da0b2145b388df5463f122ff191893d41b10c55185a5a/15_PHM_C_Bothy_Andrew-Gannon_1.jpg" data-mid="145351055" border="0" src="https://freight.cargo.site/w/1000/i/def88582d1e1e15d9a0da0b2145b388df5463f122ff191893d41b10c55185a5a/15_PHM_C_Bothy_Andrew-Gannon_1.jpg" /> <img width="956" height="682" width_o="956" height_o="682" data-src="https://freight.cargo.site/t/original/i/734b59c2d74fcfaaf83eae5eaf73bbb58984acb6dedb34301fba840de02955de/15_HM_MFBothy_Canal-Festival_15_7x5.jpg" data-mid="145351054" border="0" src="https://freight.cargo.site/w/956/i/734b59c2d74fcfaaf83eae5eaf73bbb58984acb6dedb34301fba840de02955de/15_HM_MFBothy_Canal-Festival_15_7x5.jpg" /> <img width="1712" height="1162" width_o="1712" height_o="1162" data-src="https://freight.cargo.site/t/original/i/76535d33a4c850b287d4fb6d426c1627b4df978134e5a4005e11cdb1cdaac0ae/Screen-Shot-2022-06-13-at-7.49.12-PM.png" data-mid="145352076" border="0" src="https://freight.cargo.site/w/1000/i/76535d33a4c850b287d4fb6d426c1627b4df978134e5a4005e11cdb1cdaac0ae/Screen-Shot-2022-06-13-at-7.49.12-PM.png" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1f714d3fb310bf97be598d67511182d4c0cc35b67c30843d0670d780a2292435/01.IMG_1805.jpeg" data-mid="144182755" border="0" alt="Cretto di Burri, Gibellina Vecchia (Old Gibellina), Sicily. July 2019. Photo Miriam La Rosa." data-caption="Cretto di Burri, Gibellina Vecchia (Old Gibellina), Sicily. July 2019. Photo Miriam La Rosa." src="https://freight.cargo.site/w/1000/i/1f714d3fb310bf97be598d67511182d4c0cc35b67c30843d0670d780a2292435/01.IMG_1805.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b8a2a99bb28ab8edea4eb67af99c1d7950c5fb7d0e38b87da99f5f9e5b1bbcdb/02.IMG_2472.jpeg" data-mid="144182756" border="0" alt="Knob Reserve, Stratford, Gippsland, Gunaikurnai Country. September 2019. Photo Miriam La Rosa." data-caption="Knob Reserve, Stratford, Gippsland, Gunaikurnai Country. September 2019. Photo Miriam La Rosa." src="https://freight.cargo.site/w/1000/i/b8a2a99bb28ab8edea4eb67af99c1d7950c5fb7d0e38b87da99f5f9e5b1bbcdb/02.IMG_2472.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/30d1ebab95bc295ae59583499fb10da76a0bcb859791399666a474c605fdeb0d/04.-IMG_2678.jpeg" data-mid="144182758" border="0" alt="Ngan&rsquo;gikurungurr Country, Peppimenarti, Northern Territory, Australia. Sept 2019. Photo Miriam La Rosa." data-caption="Ngan’gikurungurr Country, Peppimenarti, Northern Territory, Australia. Sept 2019. Photo Miriam La Rosa." src="https://freight.cargo.site/w/1000/i/30d1ebab95bc295ae59583499fb10da76a0bcb859791399666a474c605fdeb0d/04.-IMG_2678.jpeg" /> <img width="1260" height="924" width_o="1260" height_o="924" data-src="https://freight.cargo.site/t/original/i/a02142617913cc060e124a849f5e6bf213013b3df68fef03dab1c312bc374281/2.-Ap22-Expeditions.png" data-mid="144182765" border="0" alt="Expeditions project by Apartment 22. Image taken from Pieprzak, K. (2010) Imagined Museums: Art and Modernity in Postcolonial Morocco. University of Minnesota Press" data-caption="Expeditions project by Apartment 22. Image taken from Pieprzak, K. (2010) Imagined Museums: Art and Modernity in Postcolonial Morocco. University of Minnesota Press" src="https://freight.cargo.site/w/1000/i/a02142617913cc060e124a849f5e6bf213013b3df68fef03dab1c312bc374281/2.-Ap22-Expeditions.png" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ad5739e4f13006b3b2d2a3433fa6b2a18e395e0c83a78bd55b3d1b09aba5e2ca/03.IMG_2564.jpeg" data-mid="144182757" border="0" alt="Ngan&rsquo;gikurungurr Country, Peppimenarti, Northern Territory, Australia. Sept 2019. Photo Miriam La Rosa." data-caption="Ngan’gikurungurr Country, Peppimenarti, Northern Territory, Australia. Sept 2019. Photo Miriam La Rosa." src="https://freight.cargo.site/w/1000/i/ad5739e4f13006b3b2d2a3433fa6b2a18e395e0c83a78bd55b3d1b09aba5e2ca/03.IMG_2564.jpeg" /> <img width="1255" height="626" width_o="1255" height_o="626" data-src="https://freight.cargo.site/t/original/i/015bff1dba2933912cd7e835978bc22729d3eeaebee48879e35be9fbdd03d010/4.-Trans-saharian-routes-map.jpg" data-mid="144182767" border="0" alt="Trans-Saharan routes map created as part of the project Beyond Qafila Thania (2018) " data-caption="Trans-Saharan routes map created as part of the project Beyond Qafila Thania (2018) " src="https://freight.cargo.site/w/1000/i/015bff1dba2933912cd7e835978bc22729d3eeaebee48879e35be9fbdd03d010/4.-Trans-saharian-routes-map.jpg" /> <img width="1806" height="1354" width_o="1806" height_o="1354" data-src="https://freight.cargo.site/t/original/i/edfeb618a21e4b07772037a6f1018d7151fcabb63063d1971dc460356b5e2322/Website_AngelaSerino04.png" data-mid="145341272" border="0" alt="Soil from Amstel Park, Amsterdam. May 2021. Photo: Angela Serino" data-caption="Soil from Amstel Park, Amsterdam. May 2021. Photo: Angela Serino" src="https://freight.cargo.site/w/1000/i/edfeb618a21e4b07772037a6f1018d7151fcabb63063d1971dc460356b5e2322/Website_AngelaSerino04.png" /> <img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/229368b741d4205269ccc527a9cd1db4ae0ccc2818759f09f502d808b0b4a75e/2_D6349CE-CD54-48B8-B3EF-2BB93894512C.JPG" data-mid="145341514" border="0" alt="Dinner shared outside at Saari Residence " data-caption="Dinner shared outside at Saari Residence " src="https://freight.cargo.site/w/1000/i/229368b741d4205269ccc527a9cd1db4ae0ccc2818759f09f502d808b0b4a75e/2_D6349CE-CD54-48B8-B3EF-2BB93894512C.JPG" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/531825a6a409a96f47d1b7d4d51e331c71277a745ce5e3bde7997bb9069fbf1d/05.IMG_2787.jpeg" data-mid="144182759" border="0" alt="Regina Pilawuk Wilson working with merrepen (sandpalm) fibres. Durrmu Arts Aboriginal Corporation, Peppimenarti, Northern Territory, Australia. September 2019. Photo Miriam La Rosa." data-caption="Regina Pilawuk Wilson working with merrepen (sandpalm) fibres. Durrmu Arts Aboriginal Corporation, Peppimenarti, Northern Territory, Australia. September 2019. Photo Miriam La Rosa." src="https://freight.cargo.site/w/1000/i/531825a6a409a96f47d1b7d4d51e331c71277a745ce5e3bde7997bb9069fbf1d/05.IMG_2787.jpeg" /> https://arrcsite.org/Mobile-header-1 Wed, 13 Apr 2022 15:34:34 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/Mobile-header-1 ARRC Artists Residency Research Collective https://arrcsite.org/Members Wed, 13 Apr 2022 15:34:34 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/Members <img width="2100" height="1163" width_o="2100" height_o="1163" data-src="https://freight.cargo.site/t/original/i/37f0bea6046bb7a2e7b8cf58d0ed62d545c062192da88bd26d0ea9b03937145b/Bios-Zoom-grid.png" data-mid="146126467" border="0" src="https://freight.cargo.site/w/1000/i/37f0bea6046bb7a2e7b8cf58d0ed62d545c062192da88bd26d0ea9b03937145b/Bios-Zoom-grid.png" /> ARRC is a study collective formed by Pau Cata, Morag Iles, Miriam La Rosa, Patricia Healy McMeans,&nbsp;and Angela Serino. <img width="340" height="452" width_o="340" height_o="452" data-src="https://freight.cargo.site/t/original/i/157a1d2a247c2b3e7af91c95a8bec02656bdb141af8c0cc14ec909b5fbf9ae61/Screen-Shot-2022-05-25-at-2.15.00-PM.png" data-mid="143650008" border="0" data-scale="54" alt="here is a caption" data-caption="here is a caption" src="https://freight.cargo.site/w/340/i/157a1d2a247c2b3e7af91c95a8bec02656bdb141af8c0cc14ec909b5fbf9ae61/Screen-Shot-2022-05-25-at-2.15.00-PM.png" /> Pau Catà Contact: info@paucata.cat Pau&nbsp;is an artist, curator and researcher based in Barcelona. He is the initiator of CeRCCa – Center for Research and Creativity Casamarles, an art residency loacted in Llorenç del Penedes (Catalonia). Since 2017 he is also the co-coordinator of NACMM - North Africa Cultural Mobility Map and Platform Harakat. His artistic and research practice centres on epistemic diversity, inventive methods, nomadology, chronodiversity and the power to challenge hegemony through semi-fictional micro-narratives. His practice, often collaborating amongst groups and networks (such as Tandem Shaml, SouthMed CV and Reshape), seeks connections between vernacular and intellectual histories focusing on mediterranean socio-cultural landscapes. His work has been part of several exhibitions in London, Barcelona, Marrakech, Istanbul and Alexandria and published in peer-reviewed journals such as Artnodes, re-visiones as well as Station to station, SCCA and TCE. He has recently been awarded a practice led PhD in Art by the University of Edinburgh. His doctoral research is structured in two parts: the dissertation ‘Moving knowledge(s): Towards an Speculative Arab Art Residency Proto-history’ and the visual mediascape ‘An event without its poem is an event that never happened’.&nbsp; <img width="2918" height="3648" width_o="2918" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2dcb6ff9789c7d4ad1eb912f552c9f62f03bab4d0aba9eb31497ee26e6903392/Morag-New_bio.jpg" data-mid="146127871" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/2dcb6ff9789c7d4ad1eb912f552c9f62f03bab4d0aba9eb31497ee26e6903392/Morag-New_bio.jpg" /> Morag IlesContact:&nbsp; moragiles@hotmail.co.uk Morag (she/her) is a producer and project manager specialising in contemporary performance practice and visual art in the heritage context. Companies and artists she has worked with include: Unfolding Theatre, Arts&amp;Heritage, Lizzie Klotz, Toby Peach, Coney and The Empty Space. She is currently conducting a PhD at University of Glasgow in collaboration with three residency organisations based in Scotland: Bothy Project, Cove Park and The Work Room. Her research documents the value of residency opportunities from the position of the artist, reflecting on the role of residencies in an artist’s practice, work, and livelihood, as well as interrogating the notion of ‘residency’ as a concept. In addition to completing her PhD, Morag is a Knowledge Transfer Partnership (KTP) Associate for Newcastle University and Vindolanda Trust, an archeological site located within the boundaries of the Hadrian’s Wall Frontiers of the Roman Empire UNESCO World Heritage Site. In her role, Morag is supporting the Vindolanda Trust and Hadrian's Wall Partnership to diversify its audiences by developing a contemporary art strategy. Morag is based in Newcastle, England and works across the UK. <img width="320" height="482" width_o="320" height_o="482" data-src="https://freight.cargo.site/t/original/i/a856dfbad3d9068a6e2fead3210d878531698bd5709e418f72921d571d3a9fa4/Screen-Shot-2022-05-25-at-2.14.41-PM.png" data-mid="143649977" border="0" data-scale="54" src="https://freight.cargo.site/w/320/i/a856dfbad3d9068a6e2fead3210d878531698bd5709e418f72921d571d3a9fa4/Screen-Shot-2022-05-25-at-2.14.41-PM.png" /> Miriam La Rosa Contact: larosa.miriam@gmail.com Miriam is a Sicily-born and Naarm/Melbourne-based curator, researcher and award-winning writer, with over ten years of experience working in the art field. She is currently completing a PhD at the University of Melbourne that investigates the ontology of art residencies, exploring notions of gift-exchange and host-guest relationships in cross-cultural projects. As part of this research trajectory, in 2019, she co-curated an exchange residency, including exhibitions and a public program of events, between Sicily (Italy), Gippsland and Peppimenarti (Australia) and, in 2020, she hosted a digital exchange for the Marrgu Residency Program, an Indigenous-led initiative of Durrmu Arts. She is Project Coordinator and Research Lead at Agency: an Aboriginal and Torres Strait Islander-governed, non-profit organisation that works as a catalyst to celebrate and promote Indigenous-led initiatives in the arts, cultural and environmental sector. She is a sessional tutor at the University of Melbourne, a Graduate Fellow at the Centre of Visual Arts (CoVA) and Treasurer of the International Association of Art Critics (AICA) Australia. She has contributed to projects at Whitechapel Gallery, London, Stedelijk Museum, Amsterdam, and Van Abbemuseum, Eindhoven. Her work has been published in curatorial and academic journals including OnCurating, Spunti e Ricerche and OBOE Journal and in the art criticism platform MeMO Review. <img width="321" height="449" width_o="321" height_o="449" data-src="https://freight.cargo.site/t/original/i/dd7fb8d3daedc6d437c9d63b8cebe6eef907b4a8404cff56d860aec1c7a93e77/Patty_for-Web.png" data-mid="146128341" border="0" data-scale="55" src="https://freight.cargo.site/w/321/i/dd7fb8d3daedc6d437c9d63b8cebe6eef907b4a8404cff56d860aec1c7a93e77/Patty_for-Web.png" /> Patricia Healy McMeans Contact: pattyhealymcmeans@gmail.com Patricia is an artist, researcher and co-producer of projects taking the form of artists’ residencies, social sculptures, sound and participatory printed matter. Her work investigates how radical hospitality and slow immersion within the artist-led social studio leads to residential learning and new practice. Since 2012, she’s run iterative experimental artists’ residency events in her two homebases, Minneapolis and Edinburgh (UK), for international sets of emerging artists called Ten Chances Art Res. She has conducted these itinerant experiments trans-nationally, most recently in Edinburgh and other regions of Scotland, Galway, Helsinki, New York City, Boston, as well as Minneapolis and North Branch, MN. Her co-producing endeavours include five culminating events from 10XArtRes iterations (2012-2016), and is affiliated with the Number Shop, the Fruitmarket Gallery, Bargain Spot, Embassy Annuale, Cove Park Residency, Hospitalfield Arts, formerly Soap Factory (Mpls), Art Shanty Projects and Night Owl Farm. Recently, she’s joined a cohort of artist-builders in a self-designed dwelling project called Moveable Feast Bothy, occuying sites in and around Edinburgh. She has taught college art courses on a ship for Semester at Sea, leading field practicuums in Cadiz and Istanbul, and also on land at the Minneapolis College of Art and Design from 2007 to present. She holds an MFA in Sculpture and Combined Media from the University of Minnesota, and has recently earned her practice-led PhD in Contemporary Art Practice at Edinburgh College of Art, studying Lived Residencies, Experiential Learning and Thick Geographies: How Artists Produce Knowledge(s) in the Social Studio. Primarily identifying as an artist, her strategies continue to place the artist first and give them room to move.&nbsp; <img width="360" height="470" width_o="360" height_o="470" data-src="https://freight.cargo.site/t/original/i/98b44e6a8edebf04fb37b617dd4b9eddbaeb4daff4e7bca03daad4fb067a3121/Screen-Shot-2022-05-25-at-2.14.50-PM.png" data-mid="143650007" border="0" data-scale="58" src="https://freight.cargo.site/w/360/i/98b44e6a8edebf04fb37b617dd4b9eddbaeb4daff4e7bca03daad4fb067a3121/Screen-Shot-2022-05-25-at-2.14.50-PM.png" /> Angela SerinoContact: serinoangelas@gmail.com Angela is a curator, writer and permaculture student based in Amsterdam. She has worked with the format of artists' residencies for several years in various roles – as curator of temporary residency projects (RedLight Art Amsterdam), member of the artistic committee of Kunsthuis SYB (a remote residency in Friesland), and being a curator in residency in international programs such as IFP, Beijing, BAR, Barcelona and Hordaland Kunstsenter, Bergen a.o.. She curated ‘Residencies as Learning Environments’, the International Meeting for Artists-in-Residencies initiated by FARE/AIR, the Italian network of artist residencies in Milan (2015), and wrote on residencies and time for Kunstlicht (Unpacking residencies, 2018) and DutchCulture | TransArtists (Station to Station #4, 2022). As a curator she is interested in individual and collective moments of research, self-reflection and learning around residencies programs. Currently, she is working on her archive as a way to retrace and discuss ideas of time and care. &nbsp; https://arrcsite.org/Statement Wed, 13 Apr 2022 15:34:35 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/Statement 2020 was a year&nbsp;of disruption, one in which we were forced to stand still, hold our breath and experience forced closures and sudden and painful losses. The global pandemic caused a collective Break, obstructed human life and suspended our day-to-day routines, but it has also generated space for other forms to thrive.&nbsp; Indeed, it has been through our active engagement with the non-human (i.e. the land, the animals and&nbsp; our surroundings) that virtuality and ecology have acquired new meanings, enhancing the need to gather in study, to care, to think and be otherwise. In this context, we have come together to share research, pique imagination, reflect on how residencies and arts ecologies are affected by today’s challenges and, importantly, define new possible learnings to keep with us for the next future. &nbsp; Our almost weekly gatherings have initially taken the form of virtual meetings, as we constantly meet across time zones– from Australia to Central Europe, the UK to the US– requiring a serious commitment. Using creative on-line tools to support and share work and ideas, we have turned our working condition into an occasion, a trusted space, for production, self-reflection, care and camaraderie. In fact, our physical so-journ in August 2021 to the Saari Assembly, in the woods of Southwest Finland outside of Turku, was the first time that we’ve met in person, and stood together on the same soil, in one time zone. As a constellation of moments and spaces where we come to know each other better, share our practices and create anew, we asked ourselves: What if we understand our collaborative efforts as a long term virtual-analog hybrid residency, an opportunity to speculate on a yet-to-become art residency model? We study together in theory and practice, virtually and analogically, through internal gestures and external movements, privately as a group and collaboratively with friends. Our working group fundamentally explores the meaning of presenciliality (the condition of 'being present’) and its others, chronodiversity, radical hospitality and cross-cultural resonances, the disruption of habitus, the perception of space and the creative act as embedded in wider ecologies. 13 June, 2022 https://arrcsite.org/the-Patterns Wed, 13 Apr 2022 15:34:35 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/the-Patterns <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="139555127" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="139555127" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="139555127" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec a lacus et felis porttitor tempus ac sed eros. Nam dictum finibus nulla vel egestas. Quisque luctus, neque ac dapibus iaculis, magna eros faucibus nibh, a vehicula libero leo id justo. Donec non nisl nibh. Proin elementum vitae ipsum quis posuere. Morbi lacinia ut metus eget finibus. Aliquam eu iaculis nunc, porttitor convallis lacus. Etiam vitae felis id lorem vulputate pellentesque. Nullam at malesuada orci, vel tincidunt est. Vivamus malesuada tortor vel sapien bibendum porta. <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="139555127" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> Quisque vitae ornare tellus, scelerisque Phasellus laoreet vestibulum felis https://arrcsite.org/the-Questions Wed, 13 Apr 2022 15:34:35 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/the-Questions How can a residency take into account and respect the time of life, the time of the artist, of the artwork and of the institution? How can art residencies as spaces still exist within art residencies as time? Are other times, those lost in memory, still speaking to us? <img width="1522" height="970" width_o="1522" height_o="970" data-src="https://freight.cargo.site/t/original/i/944b9f35ddda8975b759e0f4db41f323dc53af2f927a7927bdc14069e270c261/TIME.png" data-mid="146173852" border="0" src="https://freight.cargo.site/w/1000/i/944b9f35ddda8975b759e0f4db41f323dc53af2f927a7927bdc14069e270c261/TIME.png" /> If the journey as physical movement is replaced, how might that affect the essence of residency, as disruption of one's habitus? Can the monopoly of the presence, so often performed through the art residency, be challenged? Does the virtual—analogic binary still apply? Who holds the digital space, and takes care of it? What is the significance of arrival and departure? <img width="1522" height="970" width_o="1522" height_o="970" data-src="https://freight.cargo.site/t/original/i/31c79dee9aded0e400a21f75c4d91b336128de67b8f86258b928556fdd73be1c/VIRTUALITY.png" data-mid="146173853" border="0" src="https://freight.cargo.site/w/1000/i/31c79dee9aded0e400a21f75c4d91b336128de67b8f86258b928556fdd73be1c/VIRTUALITY.png" /> How do we deconstruct the current thinking around residencies and develop a more inclusive understanding of the residency format? How do art residencies consider the specificities of remote and non-urban territories? How do they engage Indigenous knowledges and cultures? <img width="1522" height="970" width_o="1522" height_o="970" data-src="https://freight.cargo.site/t/original/i/4c4b6feb21c9e0a4a546e4a1a59b3c5d5410b4551c45b1fae1950b053f3a37e3/OTHERNESS.png" data-mid="146173850" border="0" src="https://freight.cargo.site/w/1000/i/4c4b6feb21c9e0a4a546e4a1a59b3c5d5410b4551c45b1fae1950b053f3a37e3/OTHERNESS.png" /> What kinds of experiences do artists need from a residency, and what is their affect? What does radical hospitality and slow immersion look like inside a lived residency, and how can we re-imagine the relevance of place and habitus in this new hybridised art residency model? <img width="1522" height="970" width_o="1522" height_o="970" data-src="https://freight.cargo.site/t/original/i/07e7d1cbed678ad44eca20c19154a085b06d242233a28cbb4c5b3bf2f4c49daa/PLACE.png" data-mid="146173851" border="0" src="https://freight.cargo.site/w/1000/i/07e7d1cbed678ad44eca20c19154a085b06d242233a28cbb4c5b3bf2f4c49daa/PLACE.png" /> What are the implications of Late Pandemic and climate crisis conditions on residencies, and how can we find a path forward that is equitable and ethical? How can we challenge rather than reproduce the existing extractive/fossil economy? <img width="1522" height="970" width_o="1522" height_o="970" data-src="https://freight.cargo.site/t/original/i/6faac866f80f0e9c3968a044dbf3609cdf337aac06af0308f4d8f84d9f2538cd/ECOLOGY.png" data-mid="146173849" border="0" src="https://freight.cargo.site/w/1000/i/6faac866f80f0e9c3968a044dbf3609cdf337aac06af0308f4d8f84d9f2538cd/ECOLOGY.png" /> <img width="652" height="874" width_o="652" height_o="874" data-src="https://freight.cargo.site/t/original/i/18e6c95ecc1a82304ffce8a73723a472ec4cdf09e0a199b0ad2a58d0c9c08c1b/Screen-Shot-2022-04-13-at-11.04.56-AM.png" data-mid="146148133" border="0" data-scale="63" src="https://freight.cargo.site/w/652/i/18e6c95ecc1a82304ffce8a73723a472ec4cdf09e0a199b0ad2a58d0c9c08c1b/Screen-Shot-2022-04-13-at-11.04.56-AM.png" /> 18 June, 2022 https://arrcsite.org/Internal-Gestures Wed, 13 Apr 2022 15:34:36 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/Internal-Gestures Internal gestures are a set of practices, rituals, experiments and tasks we engage with, as a way to materialise ourselves otherwise / beyond the virtual (and the prevailing logic of productivity). Not only a method but also, significantly, a methodology, these gestures enable us to enter each other’s worlds (spaces, temporalities and interests) and create sense, together. <img width="602" height="602" width_o="602" height_o="602" data-src="https://freight.cargo.site/t/original/i/ba260cf1d2b70d3ac30fa0aea1552cae10215d039e790cde8637ea39939c0bcf/Captura-de-pantalla-2024-07-18-a-les-13.38.19.jpeg" data-mid="214858726" border="0" src="https://freight.cargo.site/w/602/i/ba260cf1d2b70d3ac30fa0aea1552cae10215d039e790cde8637ea39939c0bcf/Captura-de-pantalla-2024-07-18-a-les-13.38.19.jpeg" /> Audiovisual derives #toreside Wellcome to this dialogue with no words but moving image. During the spring season (from Spring equinox to Summer solstice) three members of ARRC excanged videos from their respective localities (Melbourn, Mineapolis and Lloreç del Penedes) reflecting on the concept: To reside.&nbsp; &nbsp;Link to the outcome coming soon. <img width="648" height="648" width_o="648" height_o="648" data-src="https://freight.cargo.site/t/original/i/984ae34ca6e7e65b0ce2b14e972f1427b280a4bffbab46bbd9745bd374a56cea/New-tarot-button.JPG" data-mid="145779540" border="0" data-scale="93" src="https://freight.cargo.site/w/648/i/984ae34ca6e7e65b0ce2b14e972f1427b280a4bffbab46bbd9745bd374a56cea/New-tarot-button.JPG" /> Archetypes for a JourneyAn In-depth tarot reading using a bespoke deck, which was created as part of the Creative Europe funded project called Reshape. Over a series of sessions using &nbsp;'Archetypes for a journey / A Tarot to Reshape the Arts' tarot deck, ARRC sat for a four-card reading and played out rituals exploring our fears and expectations, building tools for reflection, as well as seeking alternative outcomes. This activity took place between March - May 2021. &nbsp; &nbsp; <img width="654" height="654" width_o="654" height_o="654" data-src="https://freight.cargo.site/t/original/i/4d032af80020085fb1a7c427e03659c4011a33fe1138ef74be5df361252628ca/New-Box-Button.JPG" data-mid="145779538" border="0" data-scale="91" src="https://freight.cargo.site/w/654/i/4d032af80020085fb1a7c427e03659c4011a33fe1138ef74be5df361252628ca/New-Box-Button.JPG" /> The BoxesFollowing the practice of the Tarot, the 'travelling boxes' are a tool to further engage with the practice of ritual and establish conceptual and analogical synchronicities through secret actions. Each box contains one significant question to be researched cumulatively; the originating ARRC member has crafted an action to be performed by each of us in our time and place. &nbsp; This activity is ongoing. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="597" height="597" width_o="597" height_o="597" data-src="https://freight.cargo.site/t/original/i/ec1234cc24d4ca0d5800b61226ba899176388c48c06f6dfdaa5773dad8e35025/New-Pattern-button.JPG" data-mid="145779539" border="0" data-scale="90" src="https://freight.cargo.site/w/597/i/ec1234cc24d4ca0d5800b61226ba899176388c48c06f6dfdaa5773dad8e35025/New-Pattern-button.JPG" /> The PatternsPatterns, an essential part of permaculture, can show us ways in which we can imagine possible futures for residencies and other ways of living. In preparation for our forthcoming July residency as part of ‘Curating Advanced Practices’ (CAP) at the Künstlerdorf in Schöppingen, Germany, we are adopting and reflecting upon Looby Macnamara’s natural patterns in our individual practice and collaborative work as ARRC. This activity is ongoing. https://arrcsite.org/The-Boxes Wed, 13 Apr 2022 15:34:36 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/The-Boxes <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="139555138" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> <img width="1875" height="2300" width_o="1875" height_o="2300" data-src="https://freight.cargo.site/t/original/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg" data-mid="139555140" border="0" src="https://freight.cargo.site/w/1000/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg" /> <img width="1875" height="2300" width_o="1875" height_o="2300" data-src="https://freight.cargo.site/t/original/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg" data-mid="139555140" border="0" src="https://freight.cargo.site/w/1000/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg" /> Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec a lacus et felis porttitor tempus ac sed eros. Nam dictum finibus nulla vel egestas. Quisque luctus, neque ac dapibus iaculis, magna eros faucibus nibh, a vehicula libero leo id justo. Donec non nisl nibh. Proin elementum vitae ipsum quis posuere. Morbi lacinia ut metus eget finibus. Aliquam eu iaculis nunc, porttitor convallis lacus. Etiam vitae felis id lorem vulputate pellentesque. Nullam at malesuada orci, vel tincidunt est. Vivamus malesuada tortor vel sapien bibendum porta. <img width="1875" height="2300" width_o="1875" height_o="2300" data-src="https://freight.cargo.site/t/original/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg" data-mid="139555140" border="0" src="https://freight.cargo.site/w/1000/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg" /> Quisque vitae ornare tellus, scelerisque Phasellus laoreet vestibulum felis https://arrcsite.org/External-Movements Wed, 13 Apr 2022 15:34:37 +0000 ARRC: Art Residency Research Collective https://arrcsite.org/External-Movements External Movements are the journeys, both physical and virtual, that we as a collective are invited to undergo with others. We see these external movements as occasions to be together, to listen and learn, to disseminate our work, and to contribute to the expanding field of art residency study. <img width="1436" height="1077" width_o="1436" height_o="1077" data-src="https://freight.cargo.site/t/original/i/76286fb5f7ccb0bff4261fe9c1c224e91f42dbab39a6b3685cbf842282ff650d/img_8183.jpeg" data-mid="214853142" border="0" src="https://freight.cargo.site/w/1000/i/76286fb5f7ccb0bff4261fe9c1c224e91f42dbab39a6b3685cbf842282ff650d/img_8183.jpeg" /> Constructive Advanced Thinking Grant (2023 - 2025) with the project “A Transformation Framework for Artist Residencies, based on Internal Critiques, Alternative Histories, and Emerging Practices” (2023 - 2025)&nbsp; Alongside researchers from the University of Groningen and Transartists, ARRC have been selected for the NetIAS - the Network of Institutes of Advanced Studies’ Constructive Advanced Thinking Grant (2023 - 2025) with the project “A Transformation Framework for Artist Residencies, based on Internal Critiques, Alternative Histories, and Emerging Practices.” This grant allows us to come together at Hamburg IAS, Montpelier IAS, and Casa de Velasquez in Madrid to conduct prescient research in the field across the next three years. More info can be found at Transartist’s dedicated posts: &nbsp; Taking the long view - a residency about residenciesMethodological Highlight: Archetypes for a Journey <img width="716" height="480" width_o="716" height_o="480" data-src="https://freight.cargo.site/t/original/i/cb5ba33227168226d0df6f979bfc921db58fc740943d6ff1afee0647a3c3d682/Screen-Shot-2022-06-20-at-5.40.02-PM.png" data-mid="145934300" border="0" src="https://freight.cargo.site/w/716/i/cb5ba33227168226d0df6f979bfc921db58fc740943d6ff1afee0647a3c3d682/Screen-Shot-2022-06-20-at-5.40.02-PM.png" /> CAP - Curating for Advanced Practices&nbsp;Summer Seminar, Schoppingen (Germany)&nbsp;11–18 July, 2022 As part of Curating for Advanced Practices (CAP), Towards perma-cultural institutions: Exercises in collective thinking, we will be holding a workshop for the cohort, entitled: 'What is magical is hidden too', an exploration of zone 00. This summer seminar is organized by Stiftung Künstlerdorf Schöppingen residency centre, NRW Kultur International, and Temporary Gallery and curated by Aneta Rostkowska, Nada Schroer and Julia Haarmann.You can read more about “What is Magical is Hidden too: an Exploration of Zone 00” in Julia Haarmann and Nada Rosa Schroer (eds.), Towards Perma-Cultural Institutions: Exercises in Collective Thinking, Stiftung Künstlerdorf Schöppingen, 2022 LINK to purchase the book&nbsp; <img width="1702" height="856" width_o="1702" height_o="856" data-src="https://freight.cargo.site/t/original/i/1a64e2974b5c57654a3a469153c130b2b1814a845a8f585fe894e4b6a8eb4e6c/ResArtis_Web.png" data-mid="146134273" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1a64e2974b5c57654a3a469153c130b2b1814a845a8f585fe894e4b6a8eb4e6c/ResArtis_Web.png" /> Res Artis Virtual Conference, Bangkok, Thailand 8–17 September, 2021ARRC participated virtually in the annual Res Artis Virtual Conference centred in Bangkok, and titled, Defining the Next Decade: What is the Future of Arts Residencies in a post-Covid 19 World? We spoke together on our methodologies for working in a virtual/analog hybrid residency, as well as speculating on possible futures of residency in Late Pandemic, climate crisis times. The conference was hosted by SAC Gallery, Bangkok and supported by ASEF culture360, KONNECT ASEAN, Goethe-Institut Thailand, Japan Foundation Bangkok and Casa Asia. &nbsp;Our talk can be found here. <img width="1094" height="818" width_o="1094" height_o="818" data-src="https://freight.cargo.site/t/original/i/4ad13f99bb870e12de284bfbe0b456c5dc9796151aaf73b8e75e808e17160dd2/Saari-Well.png" data-mid="145931064" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/4ad13f99bb870e12de284bfbe0b456c5dc9796151aaf73b8e75e808e17160dd2/Saari-Well.png" /> Saari Well Assembly, outside Turku, Finland 18–22 August, 2021 Invited by Irmeli Kokko and the Kone Foundation, we joined a cohort of scholars, writers and activists engaged in artist residency research and writing. The assembly was hosted at Saari Residence and was the first platform of its kind– to come together in study, to meet each other and share individual research projects as part of My Journey, Knowledge and Exchange.Saari Well 2021